'CITY HALL' TRIES TO THRILL, BUT IT'S JUST PLAIN BORING.Byline: Bob Strauss Daily News Film Critic Much like the recent "Casino," "City Hall" is at its best when depicting the complex inner workings of a major institution. In this movie's case, it's the New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of mayor's office and all the political, financial and legal interests that orbit around it 24 hours a day. Also like "Casino," "City Hall" has a slack and uninvolving plot line. But unlike Martin Scorsese's sporadically shocking indulgence, this alleged political thriller A political thriller is a thriller that is set against the backdrop of political power struggle. They usually involve various plots, rarely legal, designed to give political power to someone, while his opponents try to stop him from getting it. is thrilless and predictable. Though based on a story by former New York Deputy Mayor Ken Lipper and doctored by some of Hollywood's most distinguished writing talents, the lackluster events of "City Hall" swirl around a tragedy the implications of which seem overblown o·ver·blown v. Past participle of overblow. adj. 1. a. Done to excess; overdone: overblown decorations. b. from the start. It then turns into a mystery with an outcome much too easy to guess. Al Pacino tries to goose things along with some spasms of overacting o·ver·act v. o·ver·act·ed, o·ver·act·ing, o·ver·acts v.tr. To act (a dramatic role) with unnecessary exaggeration. v.intr. 1. To exaggerate a role; overplay. 2. , but even his hammy ham·my adj. ham·mi·er, ham·mi·est Marked or characterized by overacting; affectedly humorous or dramatic. ham self-parodying can't energize en·er·gize v. en·er·gized, en·er·giz·ing, en·er·giz·es v.tr. 1. To give energy to; activate or invigorate: "His childhood the movie for long. Pacino is John Pappas, the savvy, ambitious and well-liked mayor with a knack for turning scandalous situations to his advantage. And he's got a doozy doo·zy or doo·zie n. pl. doo·zies Slang Something extraordinary or bizarre: "Among the delicious names taken by, or given to, minor political parties in the United States . . . on his hands, or so the script keeps insisting, when an African-American child is killed in the crossfire A multi-GPU interface from ATI for connecting two ATI display adapters together for faster graphics rendering on one monitor. CrossFire machines require PCI Express slots, a CrossFire-enabled motherboard and, depending on which models are used, either a pair of ATI Radeon adapters or one between a Brooklyn cop and a Mafia don's son. Busy trying to lure the Democratic Party convention to Manhattan and enhance his own chances for national office, Pappas delegates damage control to his savvy, ambitious and likable young deputy, Kevin Calhoun (John Cusack). A native Louisianan, the idealistic Calhoun gradually uncovers some shooting-related skulduggery involving a compromised judge (Martin Landau), the Rodgers and Hammerstein-loving Brooklyn party boss (Danny Aiello) and, of course, the mobster (Tony Franciosa). Together with a combative-but-plucky lawyer for the police union (Bridget Fonda), who he never quite gets around to romancing like he should, Calhoun follows a trail of corruption that leads, inexorably, in directions he wishes it wouldn't. Not to give away too much, but by the end of "City Hall," all the scenes are getting lit as if this were "The Godfather Part IV" or something. Cusack does the best he can with a floating Cajun accent and wounded naivete na·ive·té or na·ïve·té n. 1. The state or quality of being inexperienced or unsophisticated, especially in being artless, credulous, or uncritical. 2. An artless, credulous, or uncritical statement or act. . Fonda barely registers in an underwritten role. Aiello is quite good as the corrupt-but-charismatic political fixer fixer, n the chemicals used in the final step of film processing that remove the unaffected silver halide particles from the developed film. fixer ; he has a wonderful horse-trading scene with Pacino that, unlike the ripoff duet with De Niro in "Heat," actually shows two great Italian-American actors cooking superbly together. That's one of several "City Hall" scenes in which Pacino's old, smart, impacted magic shines through. But for every bit of solid steel-trap precision he gives to the movie, Pacino flies off the rails just as often. The low point is Pappas' grandstanding eulogy at the dead child's funeral service. It's supposed to be the movie's emotional centerpiece, but it's so steeped in rhetoric and bluster - so fundamentally fake, in the persistant manner Pacino has been indulging too much recently - that the scene becomes as laughable as it is condescending. But at least it's not boring, which most of the rest of "City Hall" is. Last time out, director Harold Becker served up the ludicrous, overheated o·ver·heat v. o·ver·heat·ed, o·ver·heat·ing, o·ver·heats v.tr. 1. To heat too much. 2. To cause to become excited, agitated, or overstimulated. v.intr. "Malice." Pacino's sporadic outbursts aside, "City Hall" plays like a 180-degree mood swing from that one. It's sober, comparatively plausible and concerned with a serious matter - how ethics are distorted by expediency in even the best-intentioned public figures. If it weren't so tedious, I'd vote for it. THE FACTS The film: "City Hall" (R; language, violence). The stars: Al Pacino, John Cusack, Bridget Fonda, Danny Aiello, Martin Landau, David Paymer, Tony Franciosa. Behind the scenes: Directed by Harold Becker. Written by Ken Lipper, Paul Schrader, Nicholas Pileggi and Bo Goldman. Running time: One hour, 51 minutes. Playing: Citywide Our rating: Two Stars. CAPTION(S): PHOTO Photo John Cusack, left, plays a savvy, ambitious deputy handling damage control for Al Pacino's power-hungry New York mayor in "City Hall." |
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