`Sweeney Todd' slays them in Westboro.Byline: Paul Kolas COLUMN: THEATER REVIEW WESTBORO - Westboro Players' freshly minted, handsome production of "Sweeney Todd," Stephen Sondheim's musical, may not actually drip with blood, but it certainly exudes a wealth of talent. Director Brian Kelly's dynamic staging Friday night overshadowed some technical shortcomings that blemished blem·ish tr.v. blem·ished, blem·ish·ing, blem·ish·es To mar or impair by a flaw. n. An imperfection that mars or impairs; a flaw or defect. an otherwise thoroughly satisfying experience. The cavernous confines of Gibbons Famous people named Gibbons include:
harmonium or reed organ Free-reed keyboard instrument in which wind from a foot-operated bellows causes metal reeds to vibrate. Pitch is determined by the size of the reed; there are no pipes. . Perched on top is Sweeney's barber chair and the trap door and chute through which Sweeney dumps his victims after he's slit their throats. The bake house and the "fire" glowing from its grate make a visually efficient set. It may lack Mark Goodney's more intricately realized set in Worcester County Light Opera's production two years ago, but what this effort can proudly lay claim to is the superior quality of voices that rise beautifully to the demands of Sondheim's breathtaking musical obstacle course. Not only that, but Kelly makes it clear in this interpretation that Mrs. Lovett is a creature of malevolent machination MACHINATION. The act by which some plot or conspiracy is set on foot. , steering Sweeney toward tragic disaster in the name of her twisted notion of love. Catherine K. McTyre invests the role with alluring, coquettish co·quette n. A woman who makes teasing sexual or romantic overtures; a flirt. [French, feminine of coquet, flirtatious man; see coquet. calculation; she's a more feline version of Lady Macbeth. You relish the way McTyre uses physical gesture and purring purring a physiologically very complicated, semi-automatic, cyclic, controlled respiration involving alternating activity of the diaphragm and intrinsic laryngeal muscles in cats. The frequency of the alternation is about 25 times per second. voice to manipulate Sweeney for her own selfish desire, cunningly singing "Poor Thing" to exploit Sweeney's grief over his "dead" Lucy in order to confirm his true identity as Benjamin Barker. Her cockney accent, as authentic as it may be, could be toned down a bit, but she's terrific in the part. Charles J. Grigaitis Jr. is a commanding presence in the title role, a truly tormented figure consumed with hate and revenge. He chills you when he addresses his sterling silver razors, kept by Mrs. Lovett for the 15 years he's been in exile, as "my friends." His voice resounds with fury on "Epiphany," and he and McTyre delight us with the puns that flavor "A Little Priest." "By the Sea" is a hilarious picture of motives at complete odds with each other - McTyre envisioning a future romantic utopia while Grigaitis sits in her parlor chair with stoic indifference. What Grigaitis manages to do is make us feel complicit com·plic·it adj. Associated with or participating in a questionable act or a crime; having complicity: newspapers complicit with the propaganda arm of a dictatorship. sympathy for a man who slashes innocent throats in his blind thirst for retribution. Jonathan Eldridge is perfectly cast as Anthony, the young sailor who falls in love with Sweeney's daughter, singing "Johanna" with piercing sweetness. Christina Freidman is a luminous Johanna, with a voice to match, on "Green Finch and Linnet linnet small songbird in the family Fringillidae. Called also Carduelis cannabina. Bird." Other standouts include Jayme Rubenstein's marvelous flourish as rival barber Adolfo Pirelli; Danny Kircher's Tobias Ragg (movingly singing "Not While I'm Around "Not While I'm Around" is the 58th episode of the ABC television series, Desperate Housewives. It was also the twelfth episode of the show's third season. The episode was written by Kevin Murphy and Kevin Etten and directed by David Grossman. It aired on January 14, 2007. "); Al Dano's corrupt Judge Turpin; Brian Higgins' obsequious ob·se·qui·ous adj. Full of or exhibiting servile compliance; fawning. [Middle English, from Latin obsequi Beadle BEADLE. Eng. law. A messenger or apparitor of a court, who cites persons to appear to what is alleged against them, is so called. Bamford; and Donna Wresinski's emotionally tattered Begger Woman. It should be noted that Friday evening's performance was the first time the entire acting ensemble was intact, an astonishing a·ston·ish tr.v. as·ton·ished, as·ton·ish·ing, as·ton·ish·es To fill with sudden wonder or amazement. See Synonyms at surprise. revelation considering the overall results. SWEENEY TODD: THE DEMON BARBER OF FLEET STREET * * *-1/2 Music and lyrics by Stephen Sondheim, book by Hugh Wheeler, directed by Brian Kelly, musical director Kallin Johnson. Presented by The Westborough Players Club at the Gibbons Middle School auditorium, Fisher Street, Westboro. Performances today at 3 p.m., next Friday and Saturday at 7:30 p.m., and next Sunday at 3 p.m. Tickets: $18, adults, $15, seniors and students, $14 group discount for 10+ tickets. Call (508) 796-0076 to purchase tickets by cash or check, or visit www.westboroughplayers.com online to purchase by credit card. With Charles J. Grigaitis Jr., Catherine K. McTyre, Jonathan Eldridge, Christina Friedman, Danny Kircher, Donna Wresinski, Al Dano, Brian Higgins, Jayme Rubenstein and Stephen D'Alessandro. Key to the Stars * * * * ... Hot Stuff * * * ... Good Job * * ... Not Bad * ... Never Mind |
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