`SHERLOCK' MAY BE A LITTLE TOO ELEMENTARY.Byline: Evan Henerson Theater Critic Sherlock, you jest! Quite frequently, in fact. Also, you trot the globe, wear ridiculous disguises, blather on about arcane wisdom that to you is ``elementary'' and give poor faithful Dr. Watson no end of grief whenever the poor dog is unable to keep up. Which is often. In short, you do everything readers of Sir Arthur Conan Doyle (as well as in more stage and screen adaptations than one man could tabulate (1) To arrange data into a columnar format. (2) To sum and print totals. ) have come to expect of you. Relentlessly, you entertain. What you do not do, my dear Holmes, in this, your purported ``final adventure,'' is enliven, much less give us a compelling reason to hope for your return. Titled ``Sherlock Holmes: The Final Adventure,'' the new yet old Holmes tale is Steven Dietz's adaptation of an 1899 play by Conan Doyle and William Gillette. The production at the Pasadena Playhouse (a world premiere co-production with the Arizona Theatre Company The Arizona Theatre Company is a professional regional theatre company operating in both Tucson and Phoenix, Arizona. The company has been known as the official "State Theatre of Arizona" since 1978. ) is smoothly staged, capably acted, and technically and visually handsome. It's also -- despite Dietz's best effort to put a spanking spanking Pediatrics Corporal punishment, usually of children, in which the buttocks, are pummeled, swatted, or otherwise struck. See Corporal punishment Sexology Slapping, usually of the buttocks as a part of sexuoerotic activity. Cf Sadomasochism. new saddle on an old war horse -- utterly perfunctory. Does the stage really need another Sherlocking? Apparently, it does. I learn, via the Playhouse's press notes, that five major regional theaters in the Midwest have slated productions of ``The Final Adventure'' during the upcoming season. Well, with this kind of name recognition to offer subscribers, wouldn't you? In this tale, told in flashback by the recently married Dr. Watson (played by Victor Talmadge), Holmes (Mark Capri) falls in love, squares off with the satanic Professor Moriarty and ultimately meets his maker. Along the way, there's a King of Bohemia to aid, a blackmailing plot to foil, cocaine to ingest in·gest tr.v. in·gest·ed, in·gest·ing, in·gests 1. To take into the body by the mouth for digestion or absorption. See Synonyms at eat. 2. (once) and criminals to bring to justice. Quite a plateful, no? Yet the stakes, despite the gravitas grav·i·tas n. 1. Substance; weightiness: a frivolous biography that lacks the gravitas of its subject. 2. of Talmadge's narration, never seem especially high. How can they, when the man propelling the action considers life one big game afoot? This is not to slight Capri, who can upturn a nose and fire off a cutting barb barb-, a combining form used to indicate derivatives of barbituric acid. Barb 1. originally a distinct line of black Australian kelpies, but now the term is generally applied to any black kelpie. 2. with the best of them. So fiendishly fiend·ish adj. 1. Of, relating to, or suggestive of a fiend; diabolical. 2. Extremely wicked or cruel. 3. Extremely bad, disagreeable, or difficult: good as a different man of mystery in the Falcon Theatre's ``Sleuth'' last year, Capri employs a deft mixture of arrogance and prissy dismissiveness whenever it's suggested that matters of the heart have overtaken him. The parry and thrust between Capri and Libby West (as the slightly imperiled object of his affection) is smart, but not so spicy. You sense Holmes and Irene Adler would be better crime-solving partners than lovers. Not to be outdone out·do tr.v. out·did , out·done , out·do·ing, out·does To do more or better than in performance or action. See Synonyms at excel. is Laurence Ballard, in full ``I am Mephistopheles'' gusto as Moriarty. You'd figure a man as calculating and ruthless as Moriarty might spend more time, say, methodically cutting a rose to smithereens smith·er·eens pl.n. Informal Fragments or splintered pieces; bits: The fragile dish broke into smithereens. (a nice first-entrance touch) than doing his own dirty work. But Ballard is so gleefully glee·ful adj. Full of jubilant delight; joyful. glee ful·ly adv.glee mean, such an arrogant match for Capri, that you miss the man when he's off stage. Playing off a Holmes given to witty banter and put-downs, Talmadge makes a fitting straight man. He and Capri have established a nice sense of shared history between the two comrades in crime. (More sprightly spright·ly adj. spright·li·er, spright·li·est Full of spirit and vitality; lively; brisk. adv. In a lively, animated manner. spright -- and no less popular -- was Charles Marowitz's ``Sherlock's Last Case,'' which suggested that Holmes and Watson were actually attention-loving adversaries who were stuck with each other.) ``The Final Adventure'' opts for humor over dramatic urgency, meaning every secondary character gets a swanky swank·y adj. swank·i·er, swank·i·est Swank. swank i·ly adv.swank costume (elegantly realized by David Mickelsen) and some scenery to chew. Director David Ira Goldstein undoubtedly knows he's trafficking in less than the freshest of goods, but, by thunder, he'll serve it up banquet style anyway. Snooty old Holmes may not deserve any better than this, but audiences certainly do. Evan Henerson, (818) 713-3651 evan.henerson(at)dailynews.com SHERLOCK HOLMES: THE FINAL ADVENTURE - Two and one half stars Where: Pasadena Playhouse, 39 S. El Molino Ave., Pasadena. When: 8 p.m. Tuesday through Friday, 5 and 9 p.m. Saturday, 2 and 7 p.m. Sunday; through June 11. Tickets: $38 to $60. (626) 356-7529 In a nutshell: The players are great. The stakes are zilch. CAPTION(S): photo Photo: Sherlock Holmes (Mark Capri, left) faces off with nemesis Professor Moriarty (Laurence Ballard) in what is billed as the detective's ``Final Adventure,'' at the Pasadena Playhouse. |
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