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`SAME OLD SONG' UNITES CHARACTERS THROUGH MELODY.


Byline: Bob Strauss Film Critic

``Same Old Song,'' Alain Resnais' latest exercise in elegant, formal experimentation, is lovely and slightly irksome.

It's a homage to the departed English teleplay tel·e·play  
n.
A play written or adapted for television.
 writer Dennis Potter (``Pennies From Heaven,'' ``The Singing Detective'') from the French master of romantic memory crunch (``Last Year at Marienbad,'' ``Hiroshima, Mon Amour,'' ``Providence''). This means that characters suddenly break into snippets of popular song, lip-synced over the original recordings.

This apparently went over well in France, where the music is, of course, familiar. The film won some major Cesar Awards, which are the country's Oscar equivalent, and earned the septuagenarian sep·tu·a·ge·nar·i·an  
n.
A person who is 70 years old or between the ages of 70 and 80.

adj.
1. Being 70 years old or between the ages of 70 and 80.

2. Of or relating to a septuagenarian.
 director his best reviews in many years.

A smooth and compelling roundelay roun·de·lay  
n.
A poem or song with a regularly recurring refrain.



[Middle English, alteration (influenced by lai, poem, song)of Old French rondelet, diminutive of rondel
 of six intersecting lives in contemporary Paris, everything about ``Same Old'' translates well except the songs. The whole effect of the gambit (language) Gambit - A variant of Scheme R3.99 supporting the future construct of Multilisp by Marc Feeley <feeley@iro.umontreal.ca>. Implementation includes optimising compilers for Macintosh (with Toolbox and built-in editor) and Motorola 680x0 Unix systems and HP300, BBN  depends on familiarity with the recordings, something most of us outside of the French-speaking world can't claim. Rather than evocative, the songs become distracting for anyone following the film by subtitles.

Resnais' basic strategy varies from Potter's. Rather than performing their inner fantasies when the songs come on, characters just slip them into the flow of their conversation and continue the discussion when the music's over. Occasionally, the songs represent what a person is silently thinking, but, for the most part, listeners just nod along as though they're hearing nothing unusual. The point is to make the artificial device as narratively unobtrusive as possible while still imparting feeling and meaning - a quixotic quix·ot·ic   also quix·ot·i·cal
adj.
1. Caught up in the romance of noble deeds and the pursuit of unreachable goals; idealistic without regard to practicality.

2.
 but fun idea, but again dependent on acquaintance for effect.

The film charts the mostly romantic but also professional and health travails of six interrelated in·ter·re·late  
tr. & intr.v. in·ter·re·lat·ed, in·ter·re·lat·ing, in·ter·re·lates
To place in or come into mutual relationship.



in
 characters. There is Nicolas (Jean-Pierre Bacri), a middle-aged man planning a move back to Paris who, for a variety of reasons, can't choose an apartment for his family. His frustrated real-estate agent Real-Estate Agent

A person with a state/provincial license to represent a buyer or a seller in a real-estate transaction in exchange for commission. Most agents work for a real-estate broker or realtor.
 Simon (Andre Dussollier) is in love with graduate student Camile (Agnes Jaoui), who is in love with Simon's untrustworthy boss Marc (Lambert Wilson Lambert Wilson (born August 3, 1958 in Neuilly-sur-Seine, France) is a French actor.

He is the son of actor Georges Wilson. He is half Irish, half French.

He screen tested for The Living Daylights
) and is the younger sister of Nicolas' former girlfriend, Odile (Sabine Azema). An excitable excitable /ex·ci·ta·ble/ (ek-sit´ah-b'l) irritable (1).

ex·cit·a·ble
adj.
1. Capable of reacting to a stimulus. Used of a tissue, cell, or cell membrane.

2.
 type, Odile is unappreciatively balanced by her deliberate, stick-in-the-mud husband Claude (Pierre Arditi).

The characters overcome animosities and bond unexpectedly, primarily through shared miseries. It's a sophisticated weave of complicated, mature emotions, scripted by actors Bacri and Jaoui and directed with assured delicacy.

Nostalgia would, of course, come more easily to French audiences. But the scenario's interest in history and the uncertainties of the future, also connects the characters in true Resnaisian manner - and in a way that transcends any cultural barrier.

The facts

The film: ``Same Old Song'' (Not rated; some strong language).

The stars: Pierre Arditi, Sabine Azema, Jean-Pierre Bacri, Andre Dussollier, Agnes Jaoui, Lambert Wilson.

Behind the scenes: Directed by Alain Resnais. Written by Agnes Jaoui and Jean-Pierre Bacri. Produced by Bruno Pesery. Released by Merchant Ivory Films.

Running time: Two hours.

Playing: Laemmle Music Hall, Beverly Hills Beverly Hills, city (1990 pop. 31,971), Los Angeles co., S Calif., completely surrounded by the city of Los Angeles; inc. 1914. The largely residential city is home to many motion-picture and television personalities. .

Our rating: Three and one half stars

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Photo

PHOTO Pierre Arditi, left, and Sabine Azema star in `Same Old Song,' Alain Resnais' film about the lives of six interrelated characters.
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Title Annotation:L.A. Life
Publication:Daily News (Los Angeles, CA)
Article Type:Movie Review
Date:Oct 15, 1999
Words:514
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