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`I'M CERTAINLY NOT A MERMAID'; DARYL HANNAH FLIPS FOR CHANCE TO PLAY HUMAN IN `GINGERBREAD'.


Byline: Valerie Kuklenski Daily News Staff Writer

Daryl Hannah has played an android An open platform for cellphones from the Open Handset Alliance (OHA). Based on Linux, Android includes a library of Java classes for building mobile applications.

Android and GPhone
 with a flair for gymnastics (``Blade Runner''), a mermaid (``Splash''), a prehistoric huntress (``Clan of the Cave Bear'') and even a giant (``The Attack of the 50 Ft. Woman'').

So when Robert Altman cast her in ``The Gingerbread gingerbread

In architecture and design, elaborately detailed embellishment, either lavish or superfluous. Though the term is occasionally applied to such highly detailed and decorative styles as the Rococo, it usually refers to the hand-carved and -sawn wood ornamentation of
 Man'' as an attorney - no special effects special effects, in motion pictures, cinematographic techniques that create illusions in the audience's minds as well as the illusions created using these techniques. , no bizarre costumes, no bells and whistles A slang English term for exceptional features in some product. In the computer field, it typically refers to functions in software that may be greatly appreciated by some users, even though they may not be necessary most of the time.  - she was thrilled.

``It was really fun,'' says the 37-year-old actress. ``It was actually the first time that I'd ever been cast in that way. And I think that's not so much because I don't go up for those roles.

``It's more that people tend to see you as something that you've done before. So other times where there's been a role of a doctor or lawyer or something, people just go, `Oh no, she's too ethereal, she's too blond, or she's too whatever.'

``And you're like, hello, that's the color of your hair,'' Hannah says. ``I'm an actress. I mean, that's what I do. Just because I've played ethereal doesn't mean I AM ethereal, and just because I played a lawyer doesn't mean I am a lawyer either.

``It blows my mind that casting directors and directors tend to see you as what you've played before. Because they're in the movie business you'd think they'd know that it doesn't mean that you were cast in this role because that's what you are. I'm certainly not a mermaid, you know. I'm not an android or whatever.

``I was really lucky because Robert Altman was one of the few people who actually said, `Oh, you can be a professional, grown-up grown-up  
adj.
1. Of, characteristic of, or intended for adults: grown-up movies; a grown-up discussion.

2.
 woman. Why not?' '' she adds. ``It was really, really nice.''

Southern thriller

Hannah co-stars with Kenneth Branagh in this John Grisham “Grisham” redirects here. For other uses, see Grisham (disambiguation).

John Ray Grisham (born February 8, 1955) is a former politician, retired attorney, American novelist and author best known for his works of modern legal drama.
 thriller set in Savannah Savannah, city, United States
Savannah, city (1990 pop. 137,560), seat of Chatham co., SE Ga., a port of entry on the Savannah River near its mouth; inc. 1789.
, Ga. Moviegoers who are looking for Looking for

In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with.
 that ``too blond'' version of Hannah will have to look more closely.

She's Lois Harlan, that statuesque stat·u·esque  
adj.
Suggestive of a statue, as in proportion, grace, or dignity; stately.



statu·esque
 auburn-haired woman with glasses who gently rebuffs law partner Branagh's sexual advances, even while making it clear that she wishes she weren't always so sensible.

She says the look was not meant to make her less appealing to Branagh's Rick Magruder character. On the contrary.

``It was actually devised so I would be seen as another woman figure in his life because he's drawn to the same type of woman, sort of the same physical type, skinny girls with short dark hair,'' she says. ``So I would be another variation on a theme.''

The characters in ``The Gingerbread Man'' represent the many social strata of coastal Georgia, from Robert Duvall's poorly educated hermit hermit [Gr.,=desert], one who lives in solitude, especially from ascetic motives. Hermits are known in many cultures. Permanent solitude was common in ancient Christian asceticism; St. Anthony of Egypt and St. Simeon Stylites were noted hermits.  to Famke Janssen's bitter, socially conscious ex-wife of Magruder. But none of the lead actors came from that area.

In fact, the ensemble seems more like a United Nations committee than a bunch of Southerners.

Branagh, of course, is from England, while Janssen hails from the Netherlands. Embeth Davidtz Embeth Jean Davidtz (born August 11, 1965) is an American-born South African actress. Biography
Early life
Davidtz was born in Lafayette, Indiana while her South African father was studying chemical engineering at Purdue University.
, who plays a waitress stalked by her father, grew up and began acting in South Africa. Robert Downey Jr., who plays the law firm's frequently soused souse 1  
v. soused, sous·ing, sous·es

v.tr.
1. To plunge into a liquid.

2. To make soaking wet; drench.

3. To steep in a mixture, as in pickling.

4.
 private detective, is a bicoastal bi·coas·tal  
adj.
1. Relating to both the east and west coasts of the United States, as:
a. Traveling frequently between coasts as part of a business or living arrangement:
 New York-L.A. type, as is Duvall. Both Hannah and Tom Berenger, who plays Davidtz's ex-husband, spent their youths in Chicago.

For this melting pot of actors, a dialect coach was an absolute necessity to get everybody singing from the same song sheet, or map page, if you will.

``She had provided each of us with tape of the dialect that would be specific to our characters,'' Hannah says. ``We discussed what socioeconomic backgrounds they had, because just within each region there are many, many different accents.

``When we started working I listened to mine over and over and over until I really got into the rhythm of it, and then it just becomes like music,'' she says. ``When you get into the rhythm of it you can improvise in it.''

Improvisation is a hallmark of an Altman film.

``Bob encourages that, especially when it's appropriate,'' Hannah says. ``He likes the characters to stay alive, and not just be there to present their lines, so he likes everyone to talk over each other.

``He has the greatest sound man in the world because he miked one scene, the party scene, 25 people at the same time. And there were two cameras moving around so you never knew when they were on you and when they weren't, so you had to be living your part and your character at all times, and then also at the right moment be there to deliver the piece of information that you have to deliver. The dailies from that scene were just amazing.''

Enthusiastic set

Hannah may be more anxious than many actors to see dailies - the previous day's raw footage - and watch directors at work, having studied film production at New York University New York University, mainly in New York City; coeducational; chartered 1831, opened 1832 as the Univ. of the City of New York, renamed 1896. It comprises 13 schools and colleges, maintaining 4 main centers (including the Medical Center) in the city, as well as the  and produced and directed her own short, titled ``The Last Supper.''

She says she's inclined to ask directors lots of questions about everything from film stock choices to lighting techniques, and Altman was one who readily indulged her.

``He loves what he does, and he loves it when you're interested, too, because he is interested,'' she says. ``That's why I think he has such great success with the people he works with and everyone wants to work with him again and again and again. It's contagious, his enthusiasm for the work, and he really wants everyone involved in it.''

Hannah's next project takes her back to her roots - the Scandinavian blond ones on her head.

She has the title role in Paramount's ``The Real Blonde,'' coming out Feb. 27. Maxwell Caulfield plays a rising soap opera star who is obsessed ob·sess  
v. ob·sessed, ob·sess·ing, ob·sess·es

v.tr.
To preoccupy the mind of excessively.

v.intr.
 with sleeping with a ``real blonde,'' and Hannah is his on-screen on·screen or on-screen  
adj. & adv.
1. As shown on a movie, television, or display screen.

2. Within public view; in public.
 love interest and the target of his personal obsession.

It was written and directed by Tom DiCillo, whose previous credits include ``Box of Moonlight'' and ``Living in Oblivion.''

``He's a very twisted, funny man in the best way, and it's a very twisted and funny movie in the best way, too,'' Hannah says. ``It's really good.

``That's why I normally have a hard time doing press, because I can't lie about something and say something is good if I don't think it is. But I'm really lucky right now because I have two movies coming out that I really like.''

CAPTION(S):

2 Photos

Photo: (1) Daryl Hannah's trademark blond locks give way to auburn in her role as Kenneth Branagh's law partner in ``The Gingerbread Man,'' which co-stars Embeth Davidtz, right.

(2) Hannah is the object of Maxwell Caulfield's infatuation in ``The Real Blonde,'' due out Feb. 27.
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No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1998, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:L.A. LIFE
Publication:Daily News (Los Angeles, CA)
Date:Jan 29, 1998
Words:1104
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