`ALICE:' THE LOGIC OF TRUE LOVE.Byline: A.O. Scott The New York Times Andre Techine is the most novelistic nov·el·is·tic adj. Of, relating to, or characteristic of novels. nov el·is of filmmakers, by which I don't mean that he stints on the visual aspects of his craft. On the contrary, his new film, ``Alice and Martin,'' like his masterpieces ``Ma Saison Preferee'' and the scandalously underrated ``Wild Reeds,'' is full of gorgeous photography, swift, elegant editing and meticulously composed scenes. Techine's camera captures the dazzling yellow of a meadow in southern France, the deep grays of Paris at night and the rhythms of the sea beating against russet rus·set n. 1. A moderate to strong brown. 2. A coarse reddish-brown to brown homespun cloth. 3. A winter apple with a rough reddish-brown skin. 4. A russet Burbank. adj. rocks on the Spanish coast. But none of this beauty is thrown onto the screen for its own sake; it seems to occur almost as a byproduct of Techine's fanatical concentration on the fine grain of his story. Like a good novel, and like Techine's previous films, the story resists summary. While it glances at some interestingly knotty knot·ty adj. knot·ti·er, knot·ti·est 1. Tied or snarled in knots. 2. Covered with knots or knobs; gnarled. 3. Difficult to understand or solve. See Synonyms at complex. themes - the tension between bohemian asceticism asceticism (əsĕt`ĭsĭzəm), rejection of bodily pleasures through sustained self-denial and self-mortification, with the objective of strengthening spiritual life. and consumer culture, the atavistic at·a·vism n. 1. The reappearance of a characteristic in an organism after several generations of absence, usually caused by the chance recombination of genes. 2. An individual or a part that exhibits atavism. pull of family history, the self-destructive logic of true love - ``Alice and Martin'' proceeds almost entirely without speech-making or exposition. You have to work a bit, especially at first, to figure out the relationships among the characters, to say nothing of their feelings and motives, but your attention is rewarded by a film of surprising depth and a few deep surprises. The first scenes play out almost breathlessly, as 10-year-old Martin (Jeremy Kreikenmayer), who lives happily with his mother, a hairdresser, and her boyfriend, a taxi driver, is abruptly sent to live on a gloomy estate ruled by his truculent truc·u·lent adj. 1. Disposed to fight; pugnacious. 2. Expressing bitter opposition; scathing: a truculent speech against the new government. 3. father (Pierre Maguelon), a local industrialist. All this information is imparted almost in passing, as if any concession to the audience would break the spell of realism. In due course, we learn that Martin is illegitimate and that he has three older halrothers. Abruptly it's 10 years later, and Martin, grown into a handsome, delicate young man (Alexis Loret), bursts from his father's house to roam the countryside until he is caught stealing a farmer's eggs, after which he drifts to Paris, where he encounters his brother Benjamin's roommate, Alice (Juliette Binoche). One of this film's most ingenious and unnerving un·nerve tr.v. un·nerved, un·nerv·ing, un·nerves 1. To deprive of fortitude, strength, or firmness of purpose. 2. To make nervous or upset. effects is the way it confounds our sense of time: both chronology and duration. Just when you think you've mastered the relationships among the characters and begun to infer where the story is going, the narrative swerves back into the past with whiplash-inducing suddenness. Similarly, and even more unnervingly, it's often impossible to tell whether a sequence of scenes unfolds over days, weeks or months. This dislocation is deliberate, and it effectively communicates the emotional rhythms of the characters' lives. One of Techine's skills is his ability to sustain a sense of unpredictability without sacrificing coherence. But although ``Alice and Martin'' is always engrossing engrossing, in English law, practice of acquiring a monopoly of goods in order to sell them at an inflated price. The offense was ordinarily limited to monopolies of foods. Related practices were forestalling, i.e. , it moves at once too quickly and too slowly. During the film's last section, which follows Alice's solitary journey to Martin's hometown in search of his family secrets, much of the earlier intensity dissipates. But too much complication is, in this case, too much of a good thing, and the proliferation of characters allows us to see performances we might otherwise have missed, notably Carmen Carmen throws over lover for another. [Fr. Lit.: Carmen; Fr. Opera: Bizet, Carmen, Westerman, 189–190] See : Faithlessness Carmen the cards repeatedly spell her death. [Fr. Maura as Martin's stepmother, and Mathieu Amalric as Benjamin. ``Alice and Martin'' is a richly populated, observant film that suffers, forgivably, from an excess of curiosity about the world it depicts - a surfeit sur·feit v. sur·feit·ed, sur·feit·ing, sur·feits v.tr. To feed or supply to excess, satiety, or disgust. v.intr. Archaic To overindulge. n. 1. a. of generosity, intelligence and art. The facts --The film: ``Alice and Martin'' (R; sexually suggestive and obliquely violent scenes). --The stars: Juliette Binoche, Alexis Loret. --Behind the scenes: Directed by Andre Techine. Written (in French, with English subtitles) by Techine and Gilles Taurand, with the collaboration of Olivier Assayas. Produced by Alain Sarde. Released by USA Films. --Running time: Two hours, three minutes. --Playing: Landmark Checchi Gori Gori (gô`rē), city (1989 pop. 68,924), central Georgia. It has food processing plants. Mentioned in the 7th cent. as Tontio, it was later named after a fortress. Gori passed to Russia in 1801. Stalin was born in the city. Theatre, Beverly Hills. --Our rating: Three stars CAPTION(S): photo Photo: Alexis Loret and Juliette Binoche star in the Andre Techine drama ``Alice and Martin.'' |
|
||||||||||||||||||

el·is
Printer friendly
Cite/link
Email
Feedback
Reader Opinion