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'WATTSTAX' RECALLS ONE GROOVY TIME.


Byline: Fred Shuster Music Writer

THIS GEM of a concert documentary makes you realize how much of America's pop culture has been lost, ignored or left to rot since soul music's golden era three decades ago.

Initially billed as a ``black Woodstock,'' Wattstax was a seven-hour concert held at the L.A. Coliseum in 1972 on the seventh anniversary of the Watts riots The term Watts Riots refers to a large-scale riot which lasted six days in the Watts neighborhood of Los Angeles, California, in August 1965. Background
The riot began on August 11, 1965, in Watts, when Lee Minikus, a California Highway Patrol motorcycle officer, pulled
. With more than 100,000 in attendance, the daylong event (admission: $1), hosted by Jesse Jackson Noun 1. Jesse Jackson - United States civil rights leader who led a national campaign against racial discrimination and ran for presidential nomination (born in 1941)
Jesse Louis Jackson, Jackson
, brought together some of the Stax label's biggest Southern soul stars - gospel harmonizers the Staples Singers, the iconic Isaac Hayes, blues great Albert King Albert King (April 25 1923 – December 21 1992) was an influential American blues guitarist and singer. Career
One of the "Three Kings of the Blues Guitar" (along with B.B.
, a good-natured Rufus Thomas and others.

It was an afternoon of huge Afros, glazed smiles, dancing in the aisles and on the Coliseum's field, white bell-bottoms and a pervasive sense of optimism and nonaggression non·ag·gres·sion  
n.
Lack of intention to show aggression against a foreign government or nation.


nonaggression
Noun

the policy of not attacking other countries

Noun 1.
 so palpable it evokes nostalgia for more civil times even if the viewer is too young to have experienced any of it first-hand.

In one of the most memorable - and telling - segments, the audience gleefully glee·ful  
adj.
Full of jubilant delight; joyful.



gleeful·ly adv.

glee
 storms the playing field to dance in front of the stage while Thomas performs a comic dance routine. At the end of the number, Thomas asks the audience to return to their seats. They do - peacefully, in short order and with good grace.

But the tightly edited, marvelously entertaining film also moves beyond the stage to the street corner to capture poignant comments from Watts residents, which are intercut in·ter·cut  
v. in·ter·cut, in·ter·cut·ting, in·ter·cuts

v.tr.
To interweave (two separate, usually concurrent scenes) in a film; crosscut.

v.intr.
To crosscut.
 into the movie along with stand-up stand·up or stand-up  
adj.
1. Standing erect; upright: a standup collar.

2. Taken, done, or used while standing: a standup supper; a standup bar.
 segments from a then-little-known comic named Richard Pryor.

Mind you, ``Wattstax'' wasn't overlooked upon release, although it did eventually vaporize va·por·ize
v.
To convert or be converted into a vapor.


Vaporize
To dissolve solid material or convert it into smoke or gas.
 into cult status. The picture opened the 1973 Cannes Film Festival Cannes Film Festival

Film festival held annually in Cannes, France. First held in 1946 for the recognition of artistic achievement, the festival came to provide a rendezvous for those interested in the art and influence of the movies.
 and was nominated for a best documentary Golden Globe the following year, striking a major chord in African-American communities. Two separate double-disc soundtrack packages were issued. And Pryor's rise to stardom was partially sparked by his pungent moments in the film.

But seeing it today, on the heels of the disappointing soul survivors documentary ``Only the Strong Survive,'' this r&b fan was knocked out by riveting performances from King, the Staples, Johnnie Taylor and the rest that could not only steam up a room but make you yearn for more affable times.

Fred Shuster, (818) 713-3676

fred.shuster(at)dailynews.com

WATTSTAX - Four stars

Starring: Staples Singers, Isaac Hayes, Albert King, Rufus Thomas, Carla Thomas, Bar-Kays, Little Milton, Johnnie Taylor and more.

Director: Mel Stuart.

Running time: 1 hr. 44 min.

Playing: ArcLight Hollywood and the Magic Johnson Theatre.

In a nutshell: The 30th anniversary reissue of the acclaimed music festival documentary adds previously unseen footage.

CAPTION(S):

photo

Photo:

Blues great Albert King performs before an audience of more than 100,000 at 1972's Wattstax concert at the L.A. Coliseum.
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Copyright 2003, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review; U
Publication:Daily News (Los Angeles, CA)
Date:Jun 6, 2003
Words:461
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