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$1 million gift to benefit Bach festival.


Byline: Paul Denison The Register-Guard

Two longtime supporters of the Oregon Bach Festival The Oregon Bach Festival is an annual celebration of the works of Johann Sebastian Bach, held in Eugene, Oregon in late June and early July. It was co-founded by German conductor Helmuth Rilling and the former president of the American Choral Directors Association, Royce Saltzman,  have pledged $1 million, most of it earmarked for the festival, to the University of Oregon's Campaign Oregon: Transforming Lives.

Peter and Mary Ann Moore of Eugene announced what he called "the largest financial commitment of our lives" Sunday night Sunday Night, later named Michelob Presents Night Music, was an NBC late-night television show which aired for two seasons between 1988 and 1990 as a showcase for jazz and eclectic musical artists.  at a dinner for festival patrons.

At a news conference Monday, festival artistic director Helmuth Rilling Helmuth Rilling (b. May 29, 1933)[1] is a German conductor.

He was born in Stuttgart into a musical family. He received his early training in Protestant seminaries in Württemberg.
 thanked the Moores for their "enormous, incredible gift" to the university and the festival.

"This is something that moves me deeply," Rilling said. "This will help ensure the future of the festival."

The Moores have been associated with the festival for 15 years as ticket buyers, patrons and board members. After volunteering to serve as co-leaders of the festival's new endowment initiative, they decided to prime the pump with a personal gift.

Of the $1 million, about $800,000 will be directed to the festival. The remaining $200,000 will be divided between general scholarships and athletics.

During the next four or five years, the Years, The

the seven decades of Eleanor Pargiter’s life. [Br. Lit.: Benét, 1109]

See : Time
 festival hopes to build an endowment of at least $10 million. This would yield about $400,000 each year to bolster the festival's operating budgets Noun 1. operating budget - a budget for current expenses as distinct from financial transactions or permanent improvements
budget items, operating cost, operating expense, overhead - the expense of maintaining property (e.g.
.

Among other things, the money could be used to help the festival pay market rates for the artistic director and world-class soloists, which festival organizers say are currently below market value "due to the good will of those involved."

Other needs cited: support for broadcasting and recording projects as part of the festival's marketing and audience outreach efforts, compensation for inflation to maintain reasonable ticket prices, expanded youth education programs and commissioning of new works, described by organizers as "a vital element of top music festivals."

Festival commissions so far have included Krzysztof Penderecki's Credo Credo

A Latin word which means "a set of fundamental beliefs or a guiding principle.” For a company, a credo is like a mission statement.

Notes:
For example, Sam Walton, founder of Wal-Mart, established the "Three Basic Beliefs” as his company's credo.
, Osvaldo Golijov's "Oceana" and Stephen Paulus' Symphony for Strings.

Although the stated fund-raising goal is $10 million, Moore said Monday that he would like to raise more than that.

"The festival has a lot of long-term friends," he said. "We're not the only ones."

Executive director Royce Saltzman said the festival's long-range planning committee planning committee n (in local government) → comité m de planificación  is optimistic op·ti·mist  
n.
1. One who usually expects a favorable outcome.

2. A believer in philosophical optimism.



op
 that the goal can be reached.

In a prepared news release, Peter Moore Peter Moore may refer to:
  • Peter Moore (chemist) (born 1939), professor at Yale University
  • Peter Moore (business) (born 1955), former SOA President, former Microsoft executive, head of EA Sports
 said that the festival "contributes to our community's way of life, and it's such a strong economic engine."

This year's festival began Friday and will continue through July 11. Officials expect an audience of approximately 35,000 from more than 50 states and at least five countries.

This year's operating budget is $1.7 million, and the festival estimates its indirect or economic impact on the community at more than $6 million.

Moore is president of Pepsi-Cola Bottling Co. of Eugene. He has bachelor's and master's degrees from the University of Oregon The University of Oregon is a public university located in Eugene, Oregon. The university was founded in 1876, graduating its first class two years later. The University of Oregon is one of 60 members of the Association of American Universities. . He met Rilling while studying in Germany as a UO senior.

Mary Ann Moore also has a bachelor's degree from the university.

In their remarks Monday, both Moore and Rilling emphasized that the festival is not just about summer concerts but also about using music to build bridges between cultures, countries and ideologies.

"This festival has a broad reach," Moore said, thanks to the work that co-founders Saltzman and Rilling do "year-round and around the world."

As the festival celebrates its 35th anniversary this year, Saltzman is 75 and Rilling is 71. Neither man has announced plans to retire.

Even so, Moore said Monday that "now is the time" to ensure the festival continues "in perpetuity Of endless duration; not subject to termination.

The phrase in perpetuity is often used in the grant of an Easement to a utility company.


in perpetuity adj. forever, as in one's right to keep the profits from the land in perpetuity.
."

Speaking for himself and his wife, who was not at the news conference, Moore said, "We care deeply and believe with all our hearts that the Oregon Bach Festival continues to be necessary and relevant to our society and our world."

CAPTION(S):

Mary Ann and Peter Moore join Oregon Bach Festival co-founder Helmuth Rilling and pianist Jeffrey Kahane after a concert in 1997.
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Title Annotation:Festivals; Two longtime patrons kick-start an endowment fund with a personal pledge meant to sustain the musical celebration
Publication:The Register-Guard (Eugene, OR)
Date:Jun 29, 2004
Words:635
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