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"Seascapes: Tryon & Sugimoto" Opens July 12 at the Smithsonian's Arthur M. Sackler Gallery.


"Seascapes Seascapes is an RTÉ Radio 1 programme broadcast on Fridays at 8.30 pm. and presented by Tom MacSweeney. It is intended to cover all subjects of maritime interest, from leisure to commercial shipping, as well as fishing and the environment. : Tryon & Sugimoto" Opens July 12 at the Smithsonian's Arthur M. Sackler Gallery The Arthur M. Sackler Gallery is a gallery of Asian art located in Washington, DC, United States, part of the Smithsonian Institution. The Sackler is one of two galleries of the National Museum of Asian Art, the other being the Freer Gallery.  For the first time since 1923, works from the Smithsonian's Freer Gallery of Art's American collection will be shown outside its walls with works from the collection of the adjoining Sackler Gallery. "Seascapes: Tryon & Sugimoto," on view July 12 though Jan. 25, 2009, at the Arthur M. Sackler Gallery, presents a series of 22 pastels by American landscape painter Dwight William Tryon Dwight William Tryon (August 13,1849 – July 1,1925) was an American landscape painter in the late 19th and early 20th centuries. His work was influenced by James McNeill Whistler, and he is best-known for his landscapes and seascapes painted in a tonalist style.  (1849-1925) juxtaposed jux·ta·pose  
tr.v. jux·ta·posed, jux·ta·pos·ing, jux·ta·pos·es
To place side by side, especially for comparison or contrast.
 with six black-and-white photographs by contemporary photographer Hiroshi Sugimoto (b. 1948, Tokyo). Although the works are separated by history and medium, they are linked by a common subject-the sea-and by formal resonances that encourage leisurely contemplation and quiet comparison. Produced between 1915 and 1916, Tryon's pastels, known collectively as "Sea Moods," represent the coast at Ogunquit, Maine, at varying times and weather conditions. Capturing the essence of natural motifs, Tryon used an expansive palette of layered colors to create a jewel-like surface in his pastels. Even though Tryon's contemporaries considered "Sea Moods" a crowning achievement, this series has never been shown collectively or individually since 1924. Tryon first began working with pastels in the mid 1890s, after receiving a gift of textured brown paper from his close friend and patron Charles Lang Freer Charles Lang Freer (1854 – 1919) was an American railroad-car manufacturer from Detroit, Michigan who gave to the United States his art collections and funds for a building to house them.  (1854-1919). Impressed by the delicate opacity Refers to being "opaque," which means to prevent light from shining through. For example, in an image editing program, the opacity level for some function might range from completely transparent (0) to completely opaque (100).  of pastels, Tryon compared it to the shimmering shim·mer  
intr.v. shim·mered, shim·mer·ing, shim·mers
1. To shine with a subdued flickering light. See Synonyms at flash.

2.
 surface qualities of the Japanese ceramics and Roman glass displayed on his mantelpiece. He believed pastels achieved a personal form of expression that communicated both the beauties of nature as well as his own aesthetic perceptions. Tryon noted the following about this series: "They came direct from the fountainhead foun·tain·head  
n.
1. A spring that is the source or head of a stream.

2. A chief and copious source; an originator: "the intellectual fountainhead of the black conservatives" 
 of nature, there can be no doubt---but they went through the alembic of my mind before they were writ on canvas." This exhibition also includes one oil painting, "The Sea: Evening," which Freer considered to be Tryon's masterpiece. Painted from memory after a winter trip to Ogunquit in 1907, the lucid and fluid palette pleased Freer very much, and he even compared it to works by the great masters from the Japanese Kano school (established by Kano Motonobu c.1513) as well as to Song Dynasty (960-1279) ink landscape paintings. Also on view for the first time at the Sackler is Sugimoto's series of contemporary photographs, entitled "Seascapes." Part of an ongoing series begun in 1980, these photographs document particular sites around the world. Throughout, Sugimoto employs an aerial viewpoint that bisects the sea and sky into lateral bands of gray. With their subtle tonal variations, these photographs render a meditative tranquility and emphasize the perceptual activity of the artist and viewer unfolding through time. "For all their tranquility, the surfaces of these seascapes seem to hum and vibrate. The cumulative effect is similar to the elemental fascination of gazing at the sea itself," said exhibition curator Lee Glazer. Sugimoto graduated from St. Paul's University in Tokyo in 1970. He later left Japan for the United States to continue his studies at the Art Center College of Design Art Center built its reputation as a vocational school, essentially, preparing returning GIs for work in the commercial arts fields. It has traditionally maintained a strong "real-world" focus, emphasizing craftsmanship, technique, and professionalism while somewhat de-emphasizing theory.  in Los Angeles, where he earned his bachelor's degree in 1972. Absorbing the tenets of conceptionalism and minimalism minimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts
, he then moved to New York in 1974 to continue his work and later became a dealer and collector of Japanese and east Asian art. Sugimoto was a frequent visitor to the Freer and Sackler galleries, where he studied several works of art from the Japanese collections. Lee Glazer, associate curator of American art at the Freer Gallery of Art The Freer Gallery of Art is the Smithsonian Institution's museum of East Asian art, including art from China, Korea, Japan, South Asia (India), and southeast Asia, as well as American art. It opened to the general public in 1923.  and Arthur M. Sackler Gallery, is the exhibition curator. "Seascapes: Tryon & Sugimoto" was funded with a generous gift from the Honorable Max N. Berry and Mrs. Berry. The Arthur M. Sackler Gallery, located at 1050 Independence Ave. S.W., and the adjacent Freer Gallery of Art, located at 12th Street and Independence Avenue S.W., are on the National Mall in Washington, D.C. Hours are 10 a.m. to 5:30 p.m. daily, except Dec. 25, and admission is free. The galleries are located near the Smithsonian Metrorail station on the Blue and Orange lines. For more information about the Freer and Sackler galleries and their exhibitions, programs and other events, the public is welcome to visit www.asia.si.edu. For general Smithsonian information, the public may call (202) 633-1000 or TTY (TeleTYpewriter) See teletypewriter and TDD/TTY.

(hardware) tty - /tit'ee/ (ITS pronunciation, but some Unix people say it this way as well; this pronunciation is not considered to have sexual undertones), /T T Y/

1. teletypewriter.

2.
 (202) 633-5285.

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Date:Jun 3, 2008
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