"Perfect Acts of Architecture". (Reviews: New York).AXA AXA Anguilla, Anguilla (Airport Code) AXA Alpha Chi Alpha AXA Animal Crossing Ahead (online forum community/guide to the game Animal Crossing) AXA Auxiliary Artery GALLERY "Perfect Acts of Architecture" brought together six series of early and seminal drawings that established the careers and ideologies of five of today's preeminent architects: Peter Eisenman Peter Eisenman (born August 11, 1932 in Newark, New Jersey) is one of the foremost practitioners of deconstructivism in American architecture. Eisenman's fragmented forms are identified with an eclectic group of architects that have been, at times unwillingly, labelled , Daniel Libeskind, Rem Koolhaas, Thorn Mayne, and Bernard Tschumi. All but one of these projects, Eisenman's "House VI," ca. 1976, are not constructed or are impossible to build. And that's what makes them "perfect." The drawings provide critical and theoretical platforms by negating the architectural realities of commerce--of client, function, material, building code, site, and budget. The architects even escape conventions of architectural representation, using drawing as a research tool and an alternative to practice. Yet their anxieties abounded as architecture itself was an object of scrutiny. Every architect here employed modernist avant-garde tropes of defamiliarization and alienation. Exodus, or The Voluntary Prisoners of Architecture, 1972, by Rem Koolhaas and Elia Zenghelis with others, depicts a brutal structure that unfolds like an oversize o·ver·size n. 1. A size that is larger than usual. 2. An oversize article or object. adj. o·ver·size also o·ver·sized Larger in size than usual or necessary. Adj. 1. game board on the urban geography of London. In an accompanying text, Koolhaas utilizes an ironic idealism to reverse traditional urban conditions, revealing his own inner conflicts about the formative and oppressive mechanisms of what he calls his "architectural oasis." A similar tension exists in the imagery of Tschumi's Manhattan Transcripts, 1976-81, which creates a detective story whose narrative structure suggests an architectural precursor to Paul Auster's 1985 novel City of Glass. The drawings, which appear as a sequence of panels, contrast urban typologies with frame-by frame depictions of collision, flow, fragmentation, and reconciliation. Every clue hints at some hidden interconnectivity of events and movements. Libeskind's Micromegas, 1978, and Chamber Works, 1983, are explosions of architectural elements. Portrayed by multiperspectival structures that offer no singular orientation within the faint frames, architecture emerges as a cacophonous ca·coph·o·nous adj. Having a harsh, unpleasant sound; discordant. [From Greek kakoph , inscrutable labyrinth. Similarly frenetic, Mayne's The Sixth Street House drawings, 1986-87, are frustrated and estranged es·trange tr.v. es·tranged, es·trang·ing, es·trang·es 1. To make hostile, unsympathetic, or indifferent; alienate. 2. To remove from an accustomed place or set of associations. construction documents-- superimposing conventional architectural drawings' plans, sections, and isometrics isometrics n. Isometric exercise. . All the drawings illustrated a fundamental critical position against the modernist dictum that form follows function. Nowhere was this more evident than in Eisenman's "House VI," a series of axonometric ax·o·no·met·ric adj. Of or relating to a method of projection in which an object is drawn with its horizontal and vertical axes to scale but with its curved lines and diagonals distorted. drawings with a step-by-step explanation of the internal logic and autonomy of a single form. These drawings were advertisements for Eisenman's autonomous architecture, in which a structure could be considered independent of anything other than its own formal syntax. Years later, these drawings seem a beautiful handwritten hand·write tr.v. hand·wrote , hand·writ·ten , hand·writ·ing, hand·writes To write by hand. [Back-formation from handwritten.] Adj. 1. postscript to a fading avant-garde. Their critical explorations have led to a substantial number of commercial practices and become the stuff of academic canon. But architecture is still a rare commodity, as commerce and capital seem to be determined to destroy it for the sake of expediting revenue or a lobotomized luxury. One leaves this show, which was organized in association with the Museum of Modern Art, New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of , with a feeling these architects must have had at the beginning of their careers--that perhaps serious architecture will exist mostly in the galleries, and maybe architects will have to start calling themselves artists. |
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