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"INTO THE WOODS" GOES OFF TO WAR.


Byline: - Evan Henerson

Apparently it's not enough that Cinderella, Rapunzel, Jack and Little Red Riding Hood Noun 1. Little Red Riding Hood - a girl in a fairy tale who meets a wolf while going to visit her grandmother  must face a forest full of wolves, giants, witches and occasionally lecherous lech·er·ous  
adj.
Given to, characterized by, or eliciting lechery.



lecher·ous·ly adv.
 princes. In the Actors Co-op production of ``Into the Woods,'' the titular tit·u·lar  
adj.
1. Relating to, having the nature of, or constituting a title.

2.
a. Existing in name only; nominal: the titular head of the family.

b.
 woods are now a war zone, too.

This is no great shake-up. The thematic overlay brought by director Jon Lawrence Rivera to Stephen Sondheim Noun 1. Stephen Sondheim - United States composer of musicals (born in 1930)
Sondheim
 and James Lapine's Grimm fairy tale fairy tale

Simple narrative typically of folk origin dealing with supernatural beings. Fairy tales may be written or told for the amusement of children or may have a more sophisticated narrative containing supernatural or obviously improbable events, scenes, and personages
 aims to keep the material timely (and perhaps save costumer Paula Higgins a few bucks substituting combat fatigues for court regalia in the process).

Accordingly, before a note is sung, the characters all assemble in the woods, where bombs and explosions are heard in the distance. Then it's time It's Time was a successful political campaign run by the Australian Labor Party (ALP) under Gough Whitlam at the 1972 election in Australia. Campaigning on the perceived need for change after 23 years of conservative (Liberal Party of Australia) government, Labor put forward a  for ``Once upon a time ...'' The Giant, when she arrives in the second act, isn't hurling Scud missiles, but she may as well be.

Now, timeliness and contemporary themes aren't what a fairy tale A Fairy Tale (AKA A Magic Tale) - Fantastic ballet in 1 Act, with choreography by Marius Petipa, and music by (?) Richter.

First presented by students of the Imperial Ballet School on April 4/16 (Julian/Gregorian calendar dates), 1891 in the
 musical of this caliber particularly needs. Who doesn't already relate to the plight of miserable Cinderella (played here by Denise Scarms)? Or to the lonely witch (Linda Kerns) seeking to keep her daughter' Rapunzel protected from the outside world by imprisoning her? (Rivera and musical director Brent Crayon have inserted the witch-Rapunzel duet ``Our Little World'' in this production.) We're capable of fretting about beanstalk-climbing Jack (Matt Lutz) without conjuring up images of soldiers in Iraq.

Still, given its familiar characters and not-so-murderous score (for this composer, anyway), ``Woods'' is the most adaptation-friendly of Sondheim's musicals, and Rivera's company is clearly having a grand old time climbing and swinging all over those ladders (which substitute for trees in Gary Lee Reed's set). Rivera moves the action briskly forward, and there isn't a sour voice in the company.

The production contains some frisky frisk·y  
adj. frisk·i·er, frisk·i·est
Energetic, lively, and playful: a frisky kitten.



frisk
 bits of business involving animals. The stolen hen that lays golden eggs A hen or chicken that is usually depicted laying golden eggs for its owner. The idea of such a mystical creature has been encountered in fairy tales such as Jack and the Beanstalk as well as the occult with the story of The Black Pullet  is played by an actress (Sharline Liu), as is Jack's cow, Milky White (Tannis Hanson, fetchingly carrying empty bottles and munching everything put in front of her). Milk, for whatever reason, appears to be a dominant image in Rivera's production.

Perhaps with an eye toward keeping things family-friendly, Rivera has also toned down some of Lapine's racier elements. Apart from the lyrics, the wolf's (John Allsopp) song to Little Red (Deborah Lynn Meier), ``Hello, Little Girl,'' is largely testosterone-free. Some of the gorier fates that meet Cinderella's evil stepsisters have been similarly omitted.

So, little naughtiness and no bloodshed. But we're at war. Apparently to paraphrase a Sondheim lyric anything really can happen in the ``Woods.''

Evan Henerson, (818) 713-3651

evan.henerson(at)dailynews.com

INTO THE WOODS - Three stars

Our rating: Where: Crossley Terrace Theatre, 1760 N. Gower St., Hollywood.

When: 8 p.m. Friday and Saturday, 2:30 p.m. Sunday; through April 23.

Tickets: $25 to $30. (323) 462-8460.

Playing: War and fairy tales can be hell. The Actors Co-op production of Stephen Sondheim's musical isn't.

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Publication:Daily News (Los Angeles, CA)
Date:Mar 24, 2006
Words:489
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