"I'm a born stage animal": opera star Waltraud MeierOpera star Waltraud Meier Waltraud Meier (born January 9, 1956) is a Grammy-award winning German mezzo-soprano. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen , the German mezzo-soprano mezzo-soprano: see soprano. hailed as much for her powerful presence as powerful voice, is back at the Paris Opera The Paris Opéra may refer to:
The Opera Bastille Bastille (băstēl`) [O.Fr.,=fortress], fortress and state prison in Paris, located, until its demolition (started in 1789), near the site of the present Place de la Bastille. It was begun c. launches its season with the 53-year-old starring until October 2 in one of her greatest triumphs -- as Marie in Alban Berg's "Wozzeck". In 1992 she portrayed the companion of poor soldier (Zool.) the friar bird. See also: Poor Wozzeck in a breath-taking production staged by Patrice Chereau at Paris' Theatre du Chatelet. This season's Paris production is staged by Christoph Marthaler. Seventeen years on, did she have a new vision of the role? "Not a very new vision, because Marie's character is quite precise," she told AFP (1) (AppleTalk Filing Protocol) The file sharing protocol used in an AppleTalk network. In order for non-Apple networks to access data in an AppleShare server, their protocols must translate into the AFP language. See file sharing protocol. . "She lives in a not very warm society and doesn't get the support she needs. "I think this is a very contemporary theme as many women are in this situation." Hailed as one of the most internationally significant Wagner singers of the times, Meier is used to lengthy roles. Marie on the other hand is a short role that requires great concentration to give the character immediate presence on stage. "I enjoy that and know I can do it," said Meier. "As Isolde too you cannot let up even one instant." Isolde is one of the star's greatest Wagnerian roles, in which she literally fades on stage, just as she stunned audiences by bringing blazing energy as Ortrud in his "Lohengrin", or pure poison as Kundry in "Parsifal". A regular performer at the Bayreuth Festival dedicated to Wagner between 1983 and 2000, Meier has not sung there since but is ready to return. "We'll see," she said. "If something crops up that interests me, why not? Eva Wagner (the new co-head of the festival) and I know each other and get on well." The Bavarian singer, however, says she will never take on the dramatic soprano role of Brunnhilde, the majestic female figure of "The Valkyrie". On her upcoming schedule are roles such as Geschwitz in Berg's "Lulu" in Berlin, and Clytemnestre in Richard Strauss' "Elektra" in Salzburg. Interspersing concerts with recitals and opera, Meier is due to sing the second act of Wagner's "Tristan and Isolde Tristan and Isolde Lovers in a medieval romance based on Celtic legend. The hero Tristan goes to Ireland to ask the hand of the princess Isolde for his uncle, King Mark of Cornwall. " in Paris in November at the Theatre des Champs-Elysees before starring at the Salle Pleyel that month with a Lied repertoire, a genre she describes as "the source, the purity of song". Retirement is definitely not on the cards. "I think I will always be on stage. With what, I don't know Don't know (DK, DKed) "Don't know the trade." A Street expression used whenever one party lacks knowledge of a trade or receives conflicting instructions from the other party. ? But I'm a born stage animal and I need the stage," she said.
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